Rippchen & Kraut III

1. Cristóbal Balenciaga circa 1967
2. Marios Schwab Fall/Winter 2012
3. Valentino Fall/Winter 2012
4. Givenchy Fall/Winter 2012

My German heart feels pleased when memories of the dirndl appear. As abstract garment sculptures, laced leather versions, sexualized negligée dresses, hyper-embellished folklore costumes.
/HORST

Rippchen & Kraut II

Marios Schwab Fall/Winter 2011

A man in lederhosen is ideally accompanied by a woman in Marios Schwab. His Austrain heart establishing the post-modernist dirndl. The geared-up maid satisfying our SM fantasies.
/HORST

See also Part I.

B-Sexual

Top Britney Spears by Todd Cole
Bottom Brigitte Bardot

Britney is the epitome of pop. A symbol for the hyperglycaemia of our society. A bitter sweet candy stick. A post-romantic icon of consumerism and self-dramatization. Wrapped-up in white tulle. Remixing an image of the original power of Dirndl-escapism: The über-icon and strawberry blonde Brigitte Bardot.
/HORST

Rippchen mit Kraut

Marios Schwab, Prada & Christopher Kane Fall/Winter 2010

The dirndl has seemingly emancipated itself from the archaic heritage. Adapted and transformed into concepts of high-fashion. As German sausage myself, this tendency is highly appreciated, although I am still hoping for a comeback of the lederhosen.
/HORST