Saturday, October 29, 2011
Shilver
Shirt Bruno Pieters
Collar tips Josef Lazo x Javier Moreno Frías
Pin Maison Martin Margiela
Bracelet Juun J.
Personal note: this site will undergo rethinking. In an act of theoretical amputation, parts will be removed, others will remain. Therefore, I kindly request your patience and support.
/HORST
Labels:
accessory,
bruno Pieters,
collar tip,
Gold,
Horst,
javier moreno frias,
Jewellery,
josef lazo,
juun j,
Maison Martin Margiela,
metallic,
personal,
photo booth,
porcelain,
shirt,
silver
Tuesday, October 11, 2011
Post Paris XII
A false encyclopaedic guide to the prêt-à-porter collections for Spring/Summer 2012.
Last chapter: Hussein Chalayan
1. Hussein Chalayan Spring/Summer 2012
2. Ann Demeulemeester Store Seoul
3. Cabinet 1700-1720
It almost felt like a 'best of' collection. The greatest hits of a designer who removed himself from the label he built. The garments reflected this last consequence and gave insight to the laws of fashion. The end.
/HORST
Last chapter: Hussein Chalayan
1. Hussein Chalayan Spring/Summer 2012
2. Ann Demeulemeester Store Seoul
3. Cabinet 1700-1720
It almost felt like a 'best of' collection. The greatest hits of a designer who removed himself from the label he built. The garments reflected this last consequence and gave insight to the laws of fashion. The end.
/HORST
Monday, October 10, 2011
Post Paris XI
A false encyclopaedic guide to the prêt-à-porter collections for Spring/Summer 2012.
Eleventh chapter: Comme des Garçons
1. Comme des Garçons Spring/Summer 2012
2. René Magritte
3. Irving Penn
The principle of 'bride' taken to the last extreme extent. The bridal veil becomes the dress. Becomes everything. Some may call it totalist fashion. I'd like to call it commitment.
/HORST
Eleventh chapter: Comme des Garçons
1. Comme des Garçons Spring/Summer 2012
2. René Magritte
3. Irving Penn
The principle of 'bride' taken to the last extreme extent. The bridal veil becomes the dress. Becomes everything. Some may call it totalist fashion. I'd like to call it commitment.
/HORST
Labels:
anonymity,
Art,
bride,
comme des garcons,
False Encyclopaedia,
fashion week,
horst investigates,
Irving Penn,
lace,
Paris,
rené magritte,
Spring/Summer 2012,
veil,
White,
Womenswear
Sunday, October 9, 2011
Post Paris X
A false encyclopaedic guide to the prêt-à-porter collections for Spring/Summer 2012.
Tenth chapter: Miu Miu
1. Miu Miu Spring/Summer 2012
2. Wednesday Friday Addams
3. Black Shoes by Alex Katz
Mean Japanese/Victorian boarding school girls. Ready to slit their, or respectively your, wrists. Pale skin and red eyes instead of porcelain skin and red lips. The Anti-Schneewitchen.
/HORST
Tenth chapter: Miu Miu
1. Miu Miu Spring/Summer 2012
2. Wednesday Friday Addams
3. Black Shoes by Alex Katz
Mean Japanese/Victorian boarding school girls. Ready to slit their, or respectively your, wrists. Pale skin and red eyes instead of porcelain skin and red lips. The Anti-Schneewitchen.
/HORST
Saturday, October 8, 2011
Post Paris IX
A false encyclopaedic guide to the prêt-à-porter collections for Spring/Summer 2012.
Ninth chapter: Stella McCartney
1. Stella McCartney Spring/Summer 2012
2. Bug eye
3. Konrad Klapheck
All eyes on her. The managing director of a factory for vegan mass production. The only remaining, truly socialist/capitalist luxury company. Of course this only is an illusion. Op-art.
/HORST
Ninth chapter: Stella McCartney
1. Stella McCartney Spring/Summer 2012
2. Bug eye
3. Konrad Klapheck
All eyes on her. The managing director of a factory for vegan mass production. The only remaining, truly socialist/capitalist luxury company. Of course this only is an illusion. Op-art.
/HORST
Labels:
Architecture,
biology,
black and white,
dots,
False Encyclopaedia,
fashion week,
horst investigates,
jumpsuit,
minimalism,
op-art,
Paris,
political,
Spring/Summer 2012,
stella mccartney,
Womenswear
Friday, October 7, 2011
Post Paris VIII
A false encyclopaedic guide to the prêt-à-porter collections for Spring/Summer 2012.
Eighth chapter: Chanel
1. Chanel Spring/Summer 2012
2. Richard Avedon for Versace
3. Axolotl
I was pleasantly surprised by the supercooled modernity of the collection by Monsieur Karl. Most probably due to the appearance of techno mermaids. Dipped in metallic silver and glossy white. Wearing strapless gill tops and pearl piercings.
/HORST
Eighth chapter: Chanel
1. Chanel Spring/Summer 2012
2. Richard Avedon for Versace
3. Axolotl
I was pleasantly surprised by the supercooled modernity of the collection by Monsieur Karl. Most probably due to the appearance of techno mermaids. Dipped in metallic silver and glossy white. Wearing strapless gill tops and pearl piercings.
/HORST
Labels:
chanel,
False Encyclopaedia,
fashion week,
fish,
horst investigates,
mermaid,
metallic,
Paris,
pearls,
piercing,
Richard Avedon,
sea,
shine,
Spring/Summer 2012,
techno,
versace,
water,
White,
Womenswear
Thursday, October 6, 2011
Post Paris VI
A false encyclopaedic guide to the prêt-à-porter collections for Spring/Summer 2012.
Sixth chapter: Dries van Noten
1. Dries van Noten Spring/Summer 2012
2. David Hockney
3. Fresh-Water Rhizopods of North America
Reminisceing pool scenes. Hard circular lines on the turquoise surface. And then, there are botanic drawings, dividing each organic organism into circles and squares. First separated and then placed together again in a nonchalant Dries gesture.
/HORST
Sixth chapter: Dries van Noten
1. Dries van Noten Spring/Summer 2012
2. David Hockney
3. Fresh-Water Rhizopods of North America
Reminisceing pool scenes. Hard circular lines on the turquoise surface. And then, there are botanic drawings, dividing each organic organism into circles and squares. First separated and then placed together again in a nonchalant Dries gesture.
/HORST
Post Paris V
A false encyclopaedic guide to the prêt-à-porter collections for Spring/Summer 2012.
Fifth chapter: Ann Demeulemeester
1. Ann Demeulemeester Spring/Summer 2012
2. Gottfried Honegger
3. Christo and Jeanne-Claude
Ann and Gottfried, a beautiful paring of names and subtexts. The German 'Gottfried' literally translates into 'god' and 'peace'. Just like the wrapped sculptures of Christo and Jeanne-Claude, total absorption disembogues into angelic bliss.
/HORST
Fifth chapter: Ann Demeulemeester
1. Ann Demeulemeester Spring/Summer 2012
2. Gottfried Honegger
3. Christo and Jeanne-Claude
Ann and Gottfried, a beautiful paring of names and subtexts. The German 'Gottfried' literally translates into 'god' and 'peace'. Just like the wrapped sculptures of Christo and Jeanne-Claude, total absorption disembogues into angelic bliss.
/HORST
Labels:
ann demeulemeester,
Art,
christo,
False Encyclopaedia,
fashion week,
gottfried honegger,
gradients,
grey,
horst investigates,
metal,
Paris,
sculpture,
Spring/Summer 2012,
Womenswear
Post Paris IV
A false encyclopaedic guide to the prêt-à-porter collections for Spring/Summer 2012.
Fourth chapter: Balenciaga
1. Balenciaga Spring/Summer 2012
2. Mandarin Duck
3. Mark Rothko
Sharp, angular shapes detached from the female body. Yet their components create a technoid symbiosis built on natural references. I really enjoyed my latest visit to the zoo.
/HORST
Fourth chapter: Balenciaga
1. Balenciaga Spring/Summer 2012
2. Mandarin Duck
3. Mark Rothko
Sharp, angular shapes detached from the female body. Yet their components create a technoid symbiosis built on natural references. I really enjoyed my latest visit to the zoo.
/HORST
Wednesday, October 5, 2011
Post Paris III
A false encyclopaedic guide to the prêt-à-porter collections for Spring/Summer 2012.
Third chapter: Junya Watanabe
1. Junya Watanabe Spring/Summer 2012
2. Guido Mocafico
3. Frida Kahlo
Junya Watanabe showed the living dead. Reflected via opulent vanitas still life headpieces. Subsequently unifying himself with one formerly living artist obsessed with dysfunction, pain and death.
/HORST
Third chapter: Junya Watanabe
1. Junya Watanabe Spring/Summer 2012
2. Guido Mocafico
3. Frida Kahlo
Junya Watanabe showed the living dead. Reflected via opulent vanitas still life headpieces. Subsequently unifying himself with one formerly living artist obsessed with dysfunction, pain and death.
/HORST
Post Paris II
A false encyclopaedic guide to the prêt-à-porter collections for Spring/Summer 2012.
Second chapter: Céline
1. Céline Spring/Summer 2012
2. Sand Paper
3. Versailles inspired carpet
Plywood seating and the smell of freshly manipulated wood. While the rough surface of sand paper softens its edges, the crispy structure reappears as 3D carpet ornaments on hourglass-shaped coats. Click on the runway image for closer inspection.
/HORST
Second chapter: Céline
1. Céline Spring/Summer 2012
2. Sand Paper
3. Versailles inspired carpet
Plywood seating and the smell of freshly manipulated wood. While the rough surface of sand paper softens its edges, the crispy structure reappears as 3D carpet ornaments on hourglass-shaped coats. Click on the runway image for closer inspection.
/HORST
Post Paris I
A false encyclopaedic guide to the prêt-à-porter collections for Spring/Summer 2012.
First chapter: Haider Ackermann
1. Haider Ackermann Spring/Summer 2012
2. Gerhard Richter
3. Anthony Cragg
Within the post-processing of Paris Fashion Week two aspects appear: the collections in itself and my associated experiences and visual memories. Consequently, the following reviews will only reveal one minor part of the truth. Just like a Haider Ackermann veil dress.
/HORST
First chapter: Haider Ackermann
1. Haider Ackermann Spring/Summer 2012
2. Gerhard Richter
3. Anthony Cragg
Within the post-processing of Paris Fashion Week two aspects appear: the collections in itself and my associated experiences and visual memories. Consequently, the following reviews will only reveal one minor part of the truth. Just like a Haider Ackermann veil dress.
/HORST
Labels:
Art,
asymmetry,
blurred,
False Encyclopaedia,
fashion week,
gerhard richter,
haider ackermann,
horst investigates,
nude,
paintings,
Paris,
sculpture,
Spring/Summer 2012,
transparency,
veil,
Womenswear
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