I've seen various pieces separately before but never in entire context. Powder coloured still lifes in marble, wood, mirror and steel. Now I need to find the appropriate dosage of Hay for my own habitat. /HORST
1. Jil Sander Fall/Winter 2009 by Willy Vanderperre 2. Paper Drop (Roma) 2007 by Wolfgang Tillmans
I might have found the perfect apartment. Located in the red light district. Stuccoed ceiling, parquet floor, double wing doors. Theme of the first dinner party: 'I met Jil Sander at a gallery opening'. /HORST
Junya Watanabe showed the living dead. Reflected via opulent vanitas still life headpieces. Subsequently unifying himself with one formerly living artist obsessed with dysfunction, pain and death. /HORST
1. Giorgio Morandi 2. Atelier Giorgio Morandi, Bologna, 1989–90 3. Giorgio Morandi, Natura Morta, 1952
Same same but different. Please compare the work shown above with this recent photo booth experiment. Things of similarity. Maybe I do live in a parallel place of mind? /HORST
An experiment in colour and form. A design study. Of candles and jockstraps, cups and trestles. The comforting beauty of everyday objects, respectively subjects. Yet decorative in any home. /HORST
It's interesting to see one's personal taste evolving with age. The minimalism of modern times requests the decorative exuberance of historical realism. Let them eat fruit! /HORST
1. Vanitas still life & Givenchy Spring/Summer 2011 2. Hedi Slimane still life & Comme des Garçons Spring/Summer 2011
I've never understood the fascination for it. I am afraid of death. Who can take this fear away? Or is this even possible? Men in leopard skirt shorts might be a consolatory beginning. /HORST
1. Marble and glass vases, white Maison Martin Margiela box 2. Porcelain deer, Fantastic Man perfume and fleur de sel 3. Fluorescent sunglasses, Prada case, white paper coffee cup
Cordially contributing a photographic interpretation of the essence of Lynn & Horst, the creator himself states: "These are pairs, but pairs not that they are separate but that they are slight shifts in viewing of an object. Each is a study that I keep in the background of my studio, pinned to the wall. Lynn & Horst I also come back to as an example of a study, the pairings of objects and references. In these desk and model studies the objects and references become each other." /HORST
1. Solely use the freshest ingredients. 2. Arrange the precious delicacies with care. 3. Enjoy the meal with closed eyes. /HORST
*In this series, the author would like to share his infinite wisdom and experience as world-renowned heart-breaker, charmer and gigolo with his readers.
Finally a tribute to the beautiful work of Horst P Horst that has been long time overdue. Gracious nymphes in black and white. Precise still life compositions. Architecural male nude portraits. /HORST
A body of work dedicated to the athletic body. Torn between realism, magic realism, social realism and surrealism. Statues of implied presence, revived by the rythm of lines and incomplete structures. /HORST
An intricately draped jumpsuit dissolving into a voluminous dress until it becomes a super flat, almost square shape. Working as the plain canvas for an antique vanitas motif. /HORST
Tonight my heart belongs to the arts. In particualar these delicate 60s paintings. Keith Haring has to share me with David Hockney. Doesn't this evoke a beautiful image? /HORST