The Craft VIII

1. Olle Olsson Hagalund Målaren och Änglarna
2. Yohji Yamamoto Fall/Winter 2005

The craft of naive art. Nourished by an extreme sense for balanced imperfections and hidden, impish details. Yohji Yamamoto's graffiti coats appear as being painted by the dreamlike gesture of Olle Olsson Hagalund. In this sense, two masters and their creations evoke an implicit brotherhood between Sweden and Japan.
/HORST

The Craft VII

a) letters



b) layers


c) leaps

1. Raf Simons Spring/Summer 2009
2. Mihara Yashuhiro Spring/Summer 2012
3. Yohji Yamamoto Spring/Summer 2008

Fragments and separated letters, spread over garments. Once layered onto each other, they become complete. In few cases, they even evolve into full grammatical statements, sentences or even political messages.
/HORST

Ani/Mate II

1. Barazoku ('Rose Tribe') NO. 19
2. Pierre Debusschere RS-RE 1 : AS

Raf likes to work with Pierre and I like to work with duplicates. Episodes of the subconsciously discovered and repeatedly recurrent. Even to myself it is a phenomenon what pairing will be next.
/HORST

Kastenflimmern II

Comme des Garçons Shirt Spring/Summer 2012

As implicated before, I am more and more falling in love with the Comme des Garçons op-art pattern and typography mix and mash mental(sickness)ity. Therefore, I recently purchased a handwriting logo type shirt and a black hooded T-shirt. Photo booth desired?
/HORST

Image credits Catwalking, Comme des Garçons website

A Short History Of Manga In Popular Culture

1. Dripping Lazers Graduate Collection
2. La Blue Girl
3. Self Service Magazine

I strongly believe in the comeback of Manga and will further explore its use in contemporary art and fashion. Most probably, 'sexualization' will become a core motif. In the first instance, I'd like to draw your attention to the reanimation of Anime by Dripping Lazers.
/HORST

Parachute Styledive II

Banal Chic Bizarre Spring/Summer 2012

Although it does evoke memories of the Raf Simons Spring/Summer 2008 collection, the thought of sports performance is enhanced by wrestling and childhood fantasies. Consequently, the presented result justifies its distinct existance.
/HORST

The Craft VI

1. Comme des Garçons Fall/Winter 2012
2. Junya Watanabe Spring/Summer 2003
3. Comme des Garçons Shirt Fall/Winter 2012
4. Comme des Garçons Spring/Summer 2007
5. Junya Watanabe Spring/Summer 2002

Death threat letters from Rei and Junya. While Rei combines letters, numbers and conspirative signs and places them onto canvases of androygnous cuts, she manufactures the visual element of shock that has always succeeded so well. In the meanwhile, Junya prepares scissor and newspapers.
/HORST

Consequences

1. Paul McCarthy Dick and Vagina, 1998
2. Akira Akira Spillberg, 2006

The act of relief. Time for relief. In preliminary review Fashion Week gave us vegetable prints and a lot of plastic, no orgasms. Once again, our hopes lie upon Parisian shoulders.
/HORST

Late Adopter

Comme des Garçons Fall/Winter 2009

Quick cry for help. Where can I (still) get these utterly adorable toe-printed shoes? Better late than never. Any advice will be worshipped with an air kiss and endless thankfulness.
/HORST

Hero Worship

Part 16: Devon Aoki





Photos Sean & Seng, Paolo Roversi

The über-model and eternal baby doll. Non-geisha, non-virgin, muse. Sad red lips, white porcelain skin. The face of the nineties and the face of tomorrow. Greatness.
/HORST

Vulgar Thoughts

Photos Nobuyoshi Araki

When I attend a guided tour in a museum, I feel quite embarrassed, almost amused. And entertained by the whispered theories of its visitors. Ashamed faces when confronted with erotic art are probably the most enjoyable.
/HORST

Mutant Engineering

1. Mark Borthwick for Purple Magazine vs. Lars Englund
2. Comme des Garçons Spring/Summer 1997 vs. Cocky Eek Folkert
3. Comme des Garçons Fall/Winter 2010 vs. Cocky Eek Folkert

We know life will be transformed. And things change rapidly. Futurism's most drastic misconception is its projection upon another time, another dimension. Unfortunately, it's already 2011.
/HORST