Sherman Questions IX

1. Cindy Sherman Untitled #408, 2002
2. Marc Jacobs Spring/Summer 2010

With the staging of tasteless women in shiny, ruffled evening gowns, Sherman finds herself united with Marc Jacobs and his incisive collections. Alternating between grey wallflower minimalism and an explosion of tackiness.
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Image credits Cindy Sherman, Catwalking

Sherman Questions VIII

1. Cindy Sherman Untitled (Balenciaga), 2007
2. Roberto Cavalli Spring/Summer 2004

Another image from the infamous yet untitled Balenciaga series. But this time, Sherman's outfit feels rather Cavalli-esque. A nod from the art of high fashion to the blonde ambitions of Barbie couture?
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Image credits Cindy Sherman, Catwalking

Sherman Questions VII

1. Cindy Sherman Untitled (Balenciaga), 2008
2. Balenciaga Fall/Winter 2007

Indeed, Sherman carefully picks the clothes that are depicted with her characters. And it is not by coincidence that six portraits solely feature head-to-toe Balenciaga - as they follow the invitation by Nicolas Ghesquière. In return, the Fall/Winter 2010 collection includes printed shirts and dresses featuring quotes appropriated from Sherman reviews and interviews published in art magazines.
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Image credits Cindy Sherman, Catwalking

Sherman Questions VI

1. Cindy Sherman Untitled #157, 1986
2. Madeleine Vionnet 1930s

Sherman's images of ugliness reach their climax with a 1986 character transformation. The woman is transformed into an antropomorphed hybrid, recalling motives of ancient mythology. Of course, this jinxed figure is posing in an historical archive piece by Madelaine Vionnet, a woman known for dressing puppets.
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Image credits Cindy Sherman, Unknown

Sherman Questions V

1. Cindy Sherman Untitled, 2000
2. Givenchy Spring/Summer 2011

The sinister side of Sherman is perpetuated by the self-portrait of a red haired woman in a black negligée, presumptive inhabitant of a trailer park (where suburban Grunge and Goth meet). If Sherman's woman is a rich, subversive beast, her character would wear Givenchy by Riccardo Tisci.
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Image credits Cindy Sherman, Catwalking

Sherman Questions IV

1. Cindy Sherman Untitled #129, 1983
2. Prada Fall/Winter 2006

Melancholic women, beaten by their fears and the eternity of life. The will to create is mostly motivated by the artist's urge to achieve immortality. While art is still said to posess the strength of eternal elevation, fashion (and in particular campaign imagery) is doomed to a short life span per se.
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Image credits Cindy Sherman, Steven Meisel

Sherman Questions III

1. Cindy Sherman Untitled #225, 1990
2. Jean Paul Gaultier Haute Couture Spring/Summer 2007

One example of incorporating fake body parts and creating a moment of exhibitionist shock. In this regard, Sherman does not only quote the iconic image of Virgin with Child, she also appears close to Jean Paul Gaultier and his skin flashing runway moments. Not rarely quoting symbols of religion and holiness. By offering her right breast and wearing the black lace of a sinful widow, Sherman is bearing the cross.
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Image credits Cindy Sherman, Catwalking

Sherman Questions

1. Cindy Sherman Untitled #122, 1983
2. Maison Martin Margiela Spring/Summer 2009

Glamour girl, art billionaire and woman of the year. Images and words will never capture this complex multi-personae. Thus, I will focus on a character study through the means of fashion: Who is Cindy Sherman? And who would she be wearing?
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The Craft VIII

1. Olle Olsson Hagalund Målaren och Änglarna
2. Yohji Yamamoto Fall/Winter 2005

The craft of naive art. Nourished by an extreme sense for balanced imperfections and hidden, impish details. Yohji Yamamoto's graffiti coats appear as being painted by the dreamlike gesture of Olle Olsson Hagalund. In this sense, two masters and their creations evoke an implicit brotherhood between Sweden and Japan.
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Any Body

Jeff Koons Jeff and Ilona (Made in Heaven), 1990

Taking the ready-made, adding the Pop concept of mass production and creating the pornification of kitsch. At the same time, exposing himself in the most extreme depiction of a self-portrait. What could easily be judged as simplistic, remains a complex intellectual and artistic achievement.
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Image source The Jeff Koons Show

Art Department: Luis Perez Jauregui

Artworks Luis Perez Jauregui

Luis Perez Jauregui creates character transformations. Consequently, the artist's self-portrait becomes an anti-self-portrait. Still, his body of work comprises a multiplicity of his very own, characteristic personae. I asked him to create a piece for the Art Department series.

He concludes: 'In my opinion, the aesthetic of Lynn & Horst is very clean and minimal, with a dark provocative side to it, so I wanted to create a character that best represented that. The harness is something I made myself specially for this character. It was inspired by the art of S&M and rope bondage. Instead of rope though, I used a strand of metallic beads to transform an otherwise simple harness into something more modern.'
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Exhibited

Artworks Jaclyn Santos

I am in love with a new reality TV show: Work Of Art. Project Runway for artists - with better clothes in it. My favourite: Self-voyeuristic Jaclyn Santos, using the Barbie cliché as a core momentum of her work.
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Me, Myself And I

Self-Portrait, 2004

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