Not being able to wear a bra and reveal its construction may be a temporarily hurtful deficit for the male human - as long as its principle will not establish itself in latter's wardrobe. /HORST
1. 'Heat Wave' by Gregory Harris for Intermission Spring/Summer 2011 2. Unknown
Assuming that the best part about dressing is leaving parts undressed, or implying the idea of already being undressing again, the strapped-on garment inherits complex values of attraction. /HORST
A piece of newspaper wafting through the streets. Ripped and layered advertisments on a concrete pillar. Construction sites, structured pavement plates. The woman transformed into a monument of urban circuits. /HORST
While disappointed and nearly schocked by Christopher Kane, I was stunned by Marios Schwab. His geometric scheme and sharply defined anatomic division is remarkable due to its consequence and variety. Every piece translating the idea strong yet differently. /HORST
A great sense and intelligent use of prints. The artwork becomes the construction. The flat evolves into something 3-dimensional. Trompe l'œil and acid for the eye. /HORST
Interlaced layers creating structured yet plain shapes, torn between stiffness and smoothness. Pieces reminiscent of military filt blanket origami. Complemented by a beautiful colour palette of muddy greys and greens. /HORST
Exaggerated monster women armed with 10 meter legs, black garbage bags and bricks. Totally elegant and captivating. Hold your breath and hide under their wafting robes. Smell their tulip based perfumes and close your eyes. /HORST
Moving structures creating an undefinable whole. Gathered, wrinkled and draped. Thin layers of transparency protecting the human skin. Underneath and above. /HORST
Constructivism, Bauhaus and minimalism. The monumental work of Russian sculptor Naum Gabo strikes with geometric installations made of acrylic squares, circles and triangles, celebrating the fully abstract arts. /HORST
Combining leather and a strong sense of stylized surrealism, Fleet Ilya's pieces range from extravagant bags to corset-like harnesses and weird masks and head pieces. The son of a Russian sculptor, Fleet's designs have a great sense of constructivism and dramatization. /HORST