A monochrome outside world below zero degrees. Washed stone, snow-covered concrete, traces of road salt. A scenery of grey, white and beige. Acclimatization as survival of the fittest. /HORST
1. Moroso, front sofa 2. Christian Brandt 3. Moroso, cushion sofa
Unpolished. Nonchalance. As if there was no purpose, no form. Rigidly built to convey fluidity. While maintaining its spontaneous shape forever. Thus, it achieves what life has been failing in. /HORST
Top David Slijper for New York Style Magazine Bottom Blank Spring/Summer 2010 Lookbook
Lately, I feel highly attracted to Tuareg/nomad inspired desert suits. Wide trousers, long linen shirts, a lot of white, crispy structures and sheerness. Sandals and sand. Pleats and dunes. /HORST
Just 5 minutes later. Life stream screen shots and my BBM commentary: Velvet. Bra cutouts. Black. Backpacks. Quite Prada-ish. Sunglasses worn over hair on sides. Styling is excellent. Seriously. Silver pearls in narrow geometric lines. Really good I have to admit. /HORST
An intricately draped jumpsuit dissolving into a voluminous dress until it becomes a super flat, almost square shape. Working as the plain canvas for an antique vanitas motif. /HORST
After endless hours of archive research and maltreated hands, I do feel a bit dizzy but I also decided about the signature look for 2001: Distorted asymmetry by Yohji Yamamoto. /HORST
Inspired by Mahret, I felt the urgent need to dive into the Marios Schwab universe to find the most beautiful pearls. Bondage, geometry, draping, metal, fluorescent shine. Super constructed feminity. /HORST