Heart Arrhythmia

Ann Demeulemeester Fall/Winter 2012

So beautiful. My goddess, I want it all. Elongated, slim cuts; gradients, black and white graphics. Such a clear language, so precise. A turtleneck knit dress, blue silk trousers; the minimalist reawakening of Ann Demeulemeester.
/HORST

The Craft III

1. Balenciaga Fall/Winter 2010
2. Jamie Hawkesworth for Hero Magazine
3. Bernhard Willhelm Spring/Summer 2012
4. Bruno Staub for i-D Magazine
5. Dior Spring/Summer 2001
6. D&G Fall/Winter 2011

From graffiti (part I) to typography (part II) to text collages. The assemblage of the recycled remains of our culture. Fragmented quotes, multiplied deranged messages. Copy and paste till death will tear us apart.
/HORST

Übermensch

Rick Owens Spring/Summer 2012

The minimalist energy of crunchy white robes, graphic artwork and 3D sleeve shapes achieved what houses like Jil Sander, Céline and Calvin Klein usually aim for. While staying true to who he is, Rick exceeded all of them.
/HORST

Image credits Catwalking

The Non-Experiment

Rick Owens Spring/Summer 2012

A directional presentation of menswear. What it is and what it could be. Floor-length linen dresses and graphic indications of the stripe, brought into an acceptable form. A valuable contribution.
/HORST

Eternal Rivalry

Céline Fall/Winter 2011 vs. Arjan Janssen

I'll have to admit: she did it again. Women become a piece of art. The kind of art that will remain for decades. Decent garments with relevance that won't seek visual competition with their wearer.
/HORST

Extravaganza

Prada Spring/Summer 2011

The ugly beautiful amazingness of Miuccia Prada. Hourglass silhouettes. Minimalism charged with tackiness. Striped fox tail stoles. Op-art sombrero hats. Lonely island iconography. Too much to handle, so much to love.
/HORST

Image credits Catwalking

Reverse

T-Shirt Helmut Lang

The latest addition to my obsessive Helmut collection. What I like most about this piece is the notion of German techno in the 90s. Besides, the print is placed onto the inside and appears mirror-inverted as it shines through the material.
/HORST

Fundamental Rule

The golden rule of geometry. A strict and fundamental colour code. Applied to three- and two-dimensional spaces.
/HORST